Even though I edit a lot of fiction, I don’t write fiction, so I’m hesitant to write about dialogue. I was asked my thoughts on the topic, though. I suppose I should give some answers.
How to Draw in Your Reader
My default suggestion for drawing in a reader is to start “en media res,” that is, in the middle of things. It tends to arouse curiosity; however, it isn’t the only way to draw in a reader. Writers like Tolkien, Irving, and Shakespeare prove the point. Other writers would say that the magic is in the title. In the online world, they’re probably right. The title and accompanying visual elements are essential to drawing in the reader.
How to Find a Sense of Confidence
The first problem of any kind of limited success is the unshakeable conviction that you are getting away with something, and that any moment now they will discover you. – Neil Gaiman, “Make Good Art”
Write Right: Emigrate versus Immigrate
“Emigrate” and “immigrate” sometimes are mistaken for one another. No wonder; the two words share a common theme and sound. They, however, do not bear the same meaning.
Write Right Gives a Mouse a Cookie
Trust the Words
When I write poetry, I try not to have a set conclusion in mind. I may start with some words or have an idea for an ending, but I don’t want to be tied to them. The words are a starting point. They may appear in a final draft, but they may not.