A notion exists that editors can’t be writers. Why, though, can’t editors be writers? Some people try to explain the impossibility by stating that editing other people’s work all day results in a weariness that precludes the writer from writing. It’s a valid point, but it’s worth pondering whether a person who writes professional copy or repairs automobiles all day can go home and write poetry or fiction. Can that person? Usually, people say yes. Why, then, can’t the same be said of editors?
Work Life
Why You Need to Keep a Notebook
I am the keeper of many notebooks. I have one that stays in my purse. It isn’t a Moleskine, but it does the trick. I have notebooks beside my laptop. I have another in my living room, and it’s reserved for poetry. I then usually have one or two on my nightstand; I never know when an idea might visit, and I’ll need to record it.
Where’s Your Confidence?
When I paint woodland animals or dinosaurs or trees or oceans, I have to trust that the brushstrokes will result in something akin to those four things. I can’t tell when I’m painting; I’m too close to the wall. All I see is colors blending together. It’s only when I step away from the wall and have some distance that I can see correctly. I see that I have, in fact, painted a sheep or a fox or a deer. The tree is convincing. The crashing waves actually look like crashing waves.
Writing through the Ugly Middle
A few weeks ago, I read a post about writing through the ugly middle. When a writer is in the midst of writing a draft, he or she can’t stop. The writer has to reach the end, even if the end is ugly or is a return to the beginning. The writer has to follow where the middle goes.
Consequences of Reaching the Next Level
Even though rock climbing scares me, I want to go back. I reached the next level, and I want to push myself more. I want to see if I can climb one of the other walls. It’s a consequence of reaching the next level. I get a rush of exhilaration whenever I accomplish something I thought I couldn’t.